This album pushes the limits of sound and technology to transcend any existing categories of music. The amalgamation of piano, percussion, electric guitar and electronic synthesizers creates distinct, multi-layered tones. Elements of minimalism, with its repetitive patterns and incessant experimentation deconstruct and reconstruct, disassembling frequencies in quest of creating that type of pure, unadulterated music.
在這張專輯裡，以對聲響的想像力；將技術發揮至極限，超越現有的範疇。由原音樂器鋼琴和打擊樂器，電子吉他、電子噪音與模組合成器，將不同音色套進多元的色彩，加入極簡主義的元素重新排列，不停的實驗、解構再建構。把聲音拆解成不同的頻率找出那純粹的音樂。
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《TIME》專輯
This album pushes the limits of sound and technology to transcend any existing categories of music. The amalgamation of piano, percussion, electric guitar and electronic synthesizers creates distinct, multi-layered tones. Elements of minimalism, with its repetitive patterns and incessant experimentation deconstruct and reconstruct, disassembling frequencies in quest of creating that type of pure, unadulterated music.
在這張專輯裡，以對聲響的想像力；將技術發揮至極限，超越現有的範疇。由原音樂器鋼琴和打擊樂器，電子吉他、電子噪音與模組合成器，將不同音色套進多元的色彩，加入極簡主義的元素重新排列，不停的實驗、解構再建構。把聲音拆解成不同的頻率找出那純粹的音樂。